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Steven Spielberg's War of the Worlds. - By David Edelstein - Slate Magazine
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"Briefing News & Politics Arts Life Business & Tech Science Podcasts & Video Blogs HOME / movies : Reviews of the latest films. They Came From Below Steven Spielberg's War of the Worlds . By David Edelstein Posted Tuesday, June 28, 2005, at 6:23 PM ET If we see the darn movie will Tom Cruise go away, please? Steven Spielberg's remake of War of the Worlds (Paramount Pictures) is a devastating mixture of tumult and emotion—full catastrophe living, with soul. The director is right there inside the feverish head of his protagonist, dock worker Ray Ferrier (Tom Cruise); the whole film is told from Ray's limited vantage. The FX are terrifying, but War of the Worlds is in a different league than that empty theme park of a movie, Jurassic Park . True, it has a ham-fisted script, a bewildering objective for its hero (it involves getting from New Jersey to Boston), and an ending that—given the level of tension—isn't cathartic enough. But this is a blockbuster that transcends summer blockbusters. In all the ways that matter, it's pure. PRINT DISCUSS E-MAIL RSS RECOMMEND... SINGLE PAGE Facebook MySpace Mixx Digg Reddit del.icio.us Furl Ma.gnolia Sphere StumbleUpon CLOSE It's not your father's War of the Worlds —but it is a father's War of the Worlds . Cruise's Ferrier isn't some manly alien-slayer—although he does have a terrific gotcha! scene that's a sop to the audience, which certainly needs a sop at that grim juncture. Largely, he's a man who runs away from towering, tendriled, three-legged alien death-ray machines. All he can think about is saving his young daughter (Dakota Fanning) and headstrong teenage son (Justin Chatwin), who challenges his every move. The film opens with Ray hurrying home (working-class Bayonne, N.J., with the humplike Bayonne Bridge in the background j"
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