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How the Gunfighter Killed Bourgeois America by Ryan McMaken
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How
the Gunfighter Killed Bourgeois America
by Ryan McMaken
by Ryan McMaken
If
there is a single genre of literature and film that defines the
20 th century, it is the Western. As the popularity of
the Western began to decline in the 1960’s, far more Western films
had already been made than films of any other genre. Countless television
Westerns had dominated the airwaves for decades, and the iconic
gunfighter had become one of the most recognized characters ever
in American popular culture.
In time, the
gunfighter would come to be used as a symbol of America itself.
Even in the early days of the 20 th century, when the
Western was just beginning to take shape as a literary genre, politicians,
intellectuals, and political hacks of every stripe, knowing the
grip that the romance of the frontier held on the American psyche,
identified themselves, and whatever political agenda they happened
to be pushing, with the gunfighter and the Old West. The morally
unambiguous gunfighter, and his natural habitat, the Wild West,
would come to represent a world where life was supposedly more pure,
simple, and virtuous. Theodore Roosevelt pioneered the use of the
frontier as a rhetorical device in ideology and politics, and"
....
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