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Like Anna Karina's Sweater: Each Man Kills the Thing He Loves
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Each Man Kills the Thing He Loves
After the confusion he experienced with Ardor , Filmbrain decided to seek out every contemporary Korean "wife committing adultery" film. Though there are a still more to see, it's unlikely any film can surpass Jung Ji-woo's Happy End for sheer originality in its handling of the subject. At the very least, it confirms beyond any doubt that Choi Min-sik ( Oldboy , Chihwaseon ) is one of the greatest actors currently working in film. Though he utters just a handful of lines in the film, his performance will both break your heart and scare the hell out of you. Set during the 1999 fiscal crisis where unemployment in South Korea skyrocketed from 2% to 8% in under a year, Happy End daringly presents an unfamiliar situation that was in reality becoming more commonplace -- the husband acting as domestic caretaker while the wife goes off to work. While Hollywood has tackled this subject in a lighthearted way ( Mr. Mom ) this was a real blow to Korean masculinity. Casting Choi Min-sik (best known at the time for tough-guy roles) was an inspired choice. Here he plays Min-gi, an unemployed banker unable to find work who has been relegated to taking care of the house, the baby, and his wife Bora (Jeon Do-yeon). Jung wastes no time showing us that Min-gi and Bora have swapped roles not only within the household, but in societal stereotypes as well. He spends his days sitting in second-hand bookstores reading romance novels and crying at night while watching bad television soap operas. In between, he is a Baby-Bjorn-wearing househusband responsible for keeping their lives in order. Bora works at an exclusive English-language school (for children of the wealthy), mistreats and shows no appreciation for her husband, and is having an affair with a man who w"
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