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THE COLLECTOR’S GUIDE: CONSERVING WORKS IN PAPER
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Conserving Works of Art on Paper
Suggestions from an expert on the care and conservation
of
valuable works on paper
The purpose of paper conservation or restoration
work is to preserve and restore works on paper and make them
accessible for exhibition, sale or study. Often, the works selected
for conservation treatment are aesthetically damaged, too fragile
for exhibition, or they are in imminent danger due to continuing
deterioration. Each art work has its own history of previous
treatment, framing, and environmental exposure, and consequently
the conservation and restoration of each individual work presents
a unique set of considerations. Galleries, collectors, and picture
framers might wish to be aware of some of the terminology, problems,
and possible treatments that may be undertaken by a paper conservator.
Flaking media: Consolidation
Some media, due to inherent flaws in the media
itself or due to environmental conditions, may start to crack
and flake off the paper. Without stabilization, the image will
continue to abrade with each handling. Flaking media should be "consolidated." Diluted
solutions of the consolidator could be applied locally with a
fine brush, feeding the material into the cracks and reattaching
the flakes of media to the paper.
Acidic mount: Removal
Acidic cardboard and paper mounts (the acidity
is often caused by deterioration"
....
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