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Bright Lights Film Journal Béla Tarr interview
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About Werckmeister Harmonies
(Cannes 2000, Director's Fortnight)
BY ERIC SCHLOSSER
A bar in a provincial town. A strange dance is underway, with three drunken patrons enacting an eclipse, sun, moon, and earth circling and interposing. The dance is choreographed by Valushka, an "innocent" and utopian man. Outside, the town is caught in frost. Soon, hundreds of people will occupy the main square, waiting for the newest attraction in town, a giant stuffed whale, together with a little Prince (we will see only his shadow, and hear his shrill and dictatorial voice). Soon the order of the town will be disturbed, obscurantism and chaos will spread, sparing none. Werckmeister Harmonies , by Hungarian director Béla Tarr, a 2-1/2 hour film in black-and-white, is one of those films where knowing the story doesn't prepare you for what you will see. And what you see is probably a masterpiece. I say "probably" because I don't like the word masterpiece, but while watching it you feel that from the "
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