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the meaning of life
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"the Meaning of Life
available on bitter films: volume 1
Evolution on Earth over the course of a billion years. Life is the epic end result of almost four years and tens of thousands of drawings,
single-handedly animated and photographed by Don.
As with all our films, no computers were used at any stage of animation or photography. Almost three years were required to complete Life 's design and animation, with many complicated sequences demanding several months of work to just produce a few second's worth of finished screen time. The piece was then photographed entirely to 35mm film with all the visual effects meticulously created in-camera, via traditional double exposure and innovative trick photography techniques.
The first ideas for the film - largely constituting what's now the first act - were conceived as early as 1997-8, and were at one point intended to be the first scene of a feature screenplay. The feature fell away but the scene stuck, and eventually evolved into the seed of an idea for a new short. At the time however, Don had no idea how he could possibly animate the dense visuals required of the piece without a computer's help, and moved on to make Billy's Balloon and Rejected . But by 2000 he'd devised an uncharted method of how to potentially animate everything in the film by hand. When Don first described these visuals and his plans for animating them, actor Robert May exclaimed, "Jesus Christ! That's going to take you forever!" As Don started pencil tests, one final lingering concern was whether ordinary sheets of animation paper could actually withstand the multiple drawing passes and compounded amount of work about to be hammered into them, without dissolving into shreds.
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In the summer of 2000, over sixty actors recorded vocal performances for "
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