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A publication of the Archaeological Institute of America
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Behind the Mask of Agamemnon
Volume 52 Number 4, July/August 1999
INSISTENT QUESTIONS
Some of the strongest grounds for suspecting the Agamemnon Mask derive from its appearance and its relationship to the other gold and electrum (gold-silver alloy) masks from Mycenae. William Calder refers briefly to them. Let me go into more detail. As Günter Kopcke points out, the mask bears a general resemblance to the two flat gold masks that Schliemann found in grave IV of grave circle A and to the flat electrum mask found in grave gamma in circle B in the early 1950s. (The two rather podgy gold masks that Schliemann found in graves IV and V are not flat but three-dimensional, or "in the round," and belong to quite a different tradition.) But when we compare the Agamemnon mask with the three other flat masks, striking differences emerge.
First, consider the eyebrows. On the other flat masks they form a single arch, and the hairs are indicated by engraved strokes. However, on the Agamemnon mask the eyebrows form two arches, and the individual hairs are actually cut out so that when the mask is viewed in profile they are seen to stand out from the brow.
Now consider the eyes. The other flat masks have their eyes closed at mid-eyeball; the lashes are engr"
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